A Clockwork Orange for EW

Hey guys,

This image was done for Entertainment Weekly, and is in the current issue that hit stands last Friday. This week marks the 40th anniversary of A Clockwork Orange.

No sketch for this one, I just went straight in with ink and brush. The original is drawn with olive green shellac-based ink on a sheet of vintage paper.

Thanks for reading,

Frank

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Did you have to submit a thumbnail at least? It looks great, and its gutsy to just dive in–that's still something I can't quite bring myself to do–but I'm surprised they didn't ask for a sketch. Did you use a still from the film for ref? The uncolored drawing is so strong I may actually prefer it to the colored version.

Thanks, guys.

I've been working on a lot of personal stuff lately, and have been focused on returning to the idea that the natural "flaws" in my drawing are actually what give it strength.

I saw an interview of Philip Guston recently quoting Walter Benjamin as saying "Every masterpiece is also a ruin." And I kind of agree.

The past few years I've really been pushing towards tighter and tighter stuff, in a way that made me a better intellectual designer, but I think the drawings lost a little bit of the rawness that my earlier work had.

Jed — I submitted a different sketch earlier in the process, and they turned it down, but because I was out of town when they gave me the feedback, and it was a quick deadline, I just described what I wanted to do over the phone. The AD trusted me, so I just dove in. Also, thanks for the props on the drawing 🙂

best,

frank

The point of view really makes this drawing engaging.

I also really like your style, your work has a very unique feel which makes it memorable.

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